Academic Art refers to a style of painting and sculpture that was produced under the influence of European academies of art, particularly the French Académie des Beaux-Arts, from the 17th through the 19th centuries. This art style adhered to strict conventions and standards set by these institutions, emphasizing technical skill, classical subject matter, and polished, idealized forms.

Academic art was characterized by its focus on historical, mythological, and religious themes, often rendered with meticulous attention to detail and a high degree of realism. The compositions were typically balanced and harmonious, following the principles of classical antiquity and the Renaissance. Artists were trained to prioritize drawing (disegno) over color, and the human figure was often idealized to represent beauty and moral virtue.

Prominent figures associated with Academic Art include Jean-Léon Gérôme and William-Adolphe Bouguereau, both of whom exemplified the movement's preference for technically perfect, highly finished works. Gérôme was known for his depictions of historical and Orientalist subjects, while Bouguereau was celebrated for his delicate portrayals of mythological and religious themes, often featuring idealized, graceful female figures.

Although Academic Art dominated the European art scene for much of the 19th century, it eventually came under criticism for its perceived rigidity and lack of innovation. The rise of modern art movements like Impressionism and Realism, which sought to break free from the constraints of academic conventions, marked the decline of Academic Art's influence. Despite this, the technical mastery and classical beauty associated with Academic Art continue to be admired and studied in art history.